Thank you to Maki Molapo for interviewing me for February’s edition of Careers Magazine!
Read about me in the latest edition of Blaque Life Quarterly. The magazine is available from Exclusive Books.
Thank you, Lebo Motswatswa
I have written. I have read. I have edited and deleted everything and started again. I have cried. I have agonised. I have procrastinated. I have carried this work with me to London, to New York (twice), layovers in Cairo and Dubai – while doing other important work, always staying in to write at least one paragraph – and finally, when it was complete, I presented it in Mumbai. I have crossed into new years with this work. I have become an author in a completely new genre while doing this work. I have taken my time and given so much of myself for it to be here today and I’m just so grateful for the community that loved me and held me through this work.
Here’s to the end of the chapter titled: “Lebohang studies and completes a Masters degree – can you believe it?” I wasn’t prepared for how long and demanding this journey would be and the creativity I would summon to distract myself from doing it *enter children’s book and a whole new life as a literary figure* and the many steps it takes until it’s officially done done but we are finally here now. (I consider this the official end because the graduation ceremony is optional.) This research has been such a ride. I really got to know myself anew and witness my entire political beliefs do a 180° transformation. I got to sharpen my instincts as a researcher and to trust the guidance of my intuition. It’s also been very hard being on the opposite side of people’s moral stances and being addressed like a delinquent here and there. So it has been immensely affirming to recieve feedback from people who really get it. My convictions may make the work controversial but as long as I remain true to my personal ethic of thinking and writing about black womanhoods in ways that are respectful and dignified, I’ll be okay. When I approached the women with whom I worked in this dissertation, I promised that I would not reproduce the trope that the media loves; the lie that black women are either so hypersexual or so poor that they have to sleep with men for money. I’m not interested in that. I am interested in exploring adult women’s consensual romantic practices with their partners and the logics that inform their desire to only date men of particular financial and social standings, with the context of a neoliberal society. While I do consider the vulnerabilties and violence that these women could encounter, I am more interested in the pleasures and joys of their lives. I do not want to constantly represent black women’s lives as marred by struggle when there is a plurality of experiences and when we are out here living and loving happily, too. Continue reading “My Master of Social Anthropology Dissertation”
Technically, you won’t be “coming” to see me because you’ll be viewing me from your couch. I’ll be on 1Magic (DStv channel 103) on Friday, 15 June at 19.00. I’ll be in conversation with Sho Madjozi, Sjava and Frypan/Mpumelelo about the state of youth in our country. Tune in!
Mpumi’s Magic Beads is featured today in a story about self-publishing. Read all about it!
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Thank you, Rofhiwa Maneta.
Please read a little bit more about me and this storybook project of my heart in this month’s Elle Magazine. How gorgeous is this cover?
Last week, Pabi Moloi and I had a really good conversation about Mpumi’s Magic Beads, representation, child literacy and self-publishing. Have a listen below.
Last night, I was invited to SA FM’s The Mash Up, a show about poetry and music collaboration hosted by Naledi Moleo. When the producer of the show asked me which musician I would like to collaborate with, I immediately thought of Mpumi Dhlamini, a talented multi-instrumentalist and (fun fact) my uncle. Music is my go-to device in my work and it just made sense to be accompanied by an actual Jazz man.
I would say, “Mpumi this poem will be better with saxophone, like a Fela Kuti vibe” or “something Miles Davis-y” or he would just listen to the words and just start playing. The whole point of the show is to encourage spontaneous collaboration so, no rehearsal. Just a few words about the theme of the poem and sometimes, just starting with the poem and meeting in the middle.
I really enjoyed this experience. I usually get nervous about collaborating with musicians because it could easily throw me off but Mpumi and I clearly work great together. We have to do a show together or something one of these days. I mean, the host even said that our collaboration has been her favourite in the history of the show. What a compliment!
Below, the podcast has been split into parts and I think that’s great because you don’t have to hear adverts, news and cricket updates. Enjoy and let me know what you think.
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Thank you for the invitation, Monique Stander!
This morning, I sat down with the Eye Witness News (EWN) team at African Flavour Books in Braamfontein to discuss creativity, literature and Mpumi’s Magic Beads.
You can watch the interview here.
The full Kaya FM interview with David O’Sullivan is here!